Jam – 2010-06-01 – Carroll’s

This was a week where we had a bunch of problems and the music probably displayed our issues.  First of all we were like amplifier whores this week, blowing any PA we could get our mouths on.   We went through 1 PA, 2 amps and probably could have easily blown the 3rd replacement PA if we didn’t show a little restraint.  There was something wrong in the room this week.  Maybe it was Liza Minelli who rehearsed at Carroll’s earlier in the day.  It was a tough day, all of 55th Street was a Tow-Away-Zone due to paving and lo-and-behold, when we left there was actual paving going on, so if someone did park on 55th, they would have been towed.  When not getting towed is the best part of the night you know the jam has issues.

We got through the jam somehow, even though Alan left a little early to leave us to our own devices, which I can’t blame him for, there was obviously nothing worthwhile going to happen in the room that night. It was going downhill pretty quickly from the get-go.  A good thing is we had Rob and Miriam join us so at least we had some happy guests other than the ubiquitous and babbling Scott Bayer.

If you want to hear the music, and I suggest everyone avoid this week, it is at:
http://www.deadstein.com/audio/06-01-10/

Jam – 2010-05-25 – Carroll’s

This was a week that we jammed in the big studio with the Live-Five setup including Alan on rhythm, me on lead, Rich, Kevin, who is still using the Roland dual amp set up and Scott on drums.  Kevin has new round-wound strings on his bass, may be they were flat-wound, I forget, but they were new strings.   We did the Here Comes Sunshine into Bertha to start the evening and I thought Kevin with his new string was right there and on his game.  That only lasted so long.  Eventually during the big Estimated ->Eyes combo I notice Kevin slipping into oblivion and decided to end the Eyes of the World with a straight forward rocking Not Fade Away à Going Down the Road.  It may have worked a little but playing after that whole combo seemed a bit more laborious despite the Jolt gum Kevin was chewing.  The other big combo we did was the Help Slip Franklins which had its moments both up and down.

With it being Bob Dylan’s birthday, we attempted to end the evening with a Like a Rolling Stone which was not very good.  We also did a Good Morning Little School Girl in the 1st set where Rich instructed us to jam in A during the middle of the song jam.  After the song was over Rich was quite dismayed as he heard Kevin playing the song structure in his head in opposition to his previous instructions.  To be honest with you I don’t think I heard Kevin playing the 4 or the 5 to the A jam so I guess we will have to wait for the recordings to hear what really went on.

We also did a bit of a Beatle segment in the middle of the night which was highlighted by the Savoy Truffle.  The Here There Everywhere wasn’t too good.  Finally, there was only the lone Scott Bayer as our guest for the night who was pounding the skins on the bongos during a song or two.  Until we freak out again next week, Freak Out and enjoy the holiday week-end.

If you want to hear the tunes from the night, go to the following folder, or just click and pay the song.

http://www.deadstein.com/audio/05-25-10/

Jam – 2010-05-12 – Carroll’s

Drawn on the iPad by Kevin using Art Studio

Wednesday night and the 5 of us assembled at Carroll’s to do what we do which is to do our best jamming the music of the Grateful Dead. We opened with the Bertha and closed with the Weight and had a lot of substance in between.

The were plenty of squeals in the room. The PZM had a 12k dog style type of badness to it but it didn’t prove to be too much of an issue as the night went on. Kevin’s combo of JC-120 and old school Ampeg had a pulsating squeal to it which turned out to be Scott Bayer’s cell phone. Lastly, Alan also had a squeal in his rig which caused him to pull on of his effects out of his Arsenal. Scott Bayer turned out to be our only guests.

We started strong and drive through the finish line though the Weigh was like a weight around us as we approached the midnight finish line. We had some good substance prior to all of that including an early Scarlet Fire and a nice combo of He’s Gone –> Other One –> Smokestack Lightning –> Other One –> Stella Blue. We a pretty on top of it So Many Roads which is surprising considering it was late in the night, we hadn’t played it in a long time and I never sang it before.

For the second week in a row, this week’s art work is courtesy of Kevin who created it with my iPad during the jam. Until next week, Freak Out.

If you want to hear what we played go to:

http://www.deadstein.com/audio/05-12-10/ or just listen to the MP3s below:

Kevin want a cracker or a dozen

Jam – 2010-05-05 – Carroll’s

This was a Wednesday night jam for us this week.  The weather was beautiful and there was no reason not to have a good jam.  Lou Reed was rehearsing next door and even though he wasn’t a guest, we shall treat him as such.  The only other guest we had for the night was Scott Bayer who was all hyped up playing a mean bongo.  He did manage to contact Carol on the cell phone and we played a Werewolves of London for her.

Short of having no real guests we just had the typical 5-man rotation with me on lead, Alan on rhythm, Rich on keys, Kevin on bass and Scott on the skins.  Kevin got Carroll’s to get him a different amp setup tonight including a Roland JC-120 for the high end and some other amp for the lows.  He’ll have to comment on its sound compared to the normal sound he guest.  The PZM under the piano was squealing so Chris from Carroll’s put in the Beta 57 under the piano and I thought it sounded pretty good.

The real new news for the night was the introduction of my new iPad which I used in lieu of my book.  It worked very well as a PDF display showing score in very crispy and zoomable detail.  It will all be great until it spills over and cracks, like Kevin’s books fell over at least on 2 occasions throughout the night.  The artwork above was created by Kevin at the jam using one of my new iPad art apps.  There is alot of good and fun to come from that machine.

I think my hilight of the night that I can remember was the Same Thing.  I like mine and Alan’s leads on that thing.  The big mistake for me was to attempt the Sing Me Back Home.  I was no where close on that thing as it was a total disaster.  The rest of the night was hit and miss bt at least we always have next week to hit or miss again.  Until then, Freak Out.

To hear the MP3s from the night’s songs go to the following link or just click the MP3s below:

http://www.deadstein.com/audio/05-05-10/

Jam -2010-04-28 – Carroll’s

This was like an old timers jam for former Deadstein lead guitarists.  While we were expecting to jam with Andy Trister, as he was scheduled to play with us on this Wednesday night, but the real big surprise was the return of Larry Brent, the original Deadstein lead guitarist.  From my research, it appears as if early 2001 was the last time Larry had played with us.  This if after his long “Ihateus” or should I say “hiatus?”  It was quite an unexpected surprise and our four or five songs we played with Larry were all pretty good, especially considering he was playing with us for the last 45 minutes of the night, traditionally Deadstein’s weakest time.

With Alan playing rhythm over the past several months and me taking over the lead guitar role, I haven’t stepped into Bob’s shoes for quite some time.  I spent all night, with the exception of one or two leads, playing Bob guitar and to be honest with you, as much fun as the Jerry stuff has been, it was very refreshing to relax and do what I do best.  Playing last night seemed effortless to me as I was relaxed and confident in my approach.    Not only was the playing good with Larry B, it was also good during the Trister moments.  What’s not to like about the Deadstein experience?

Scott felt like the music was a bit stale and sterile at the beginning of the night and he felt it wasn’t until we played the Help->Slip-> Franklins that we seemed to gel.  We were a bit tentative early on and pretty quiet throughout the evening but it wasn’t bad at all.  I thought the Shakedown opener was fairly solid for a Deadstein Shakedown Street, especially the final jam, which felt authentic as opposed to the traditional Deadstein jam we gravitate to during a Shakedown Street.  We did the Run for the Roses to celebrate the Churchill Downs Kentucky Derby which occurs this weekend.  Also with Andy we played the Let Spend the Night Together which is in the new supplement book which gave us the ability to play the song.

We also were straying from our Deadstein/Grateful Dead roots as Trister was all Steely Danned out for some gigs he was preparing for.  We were hearing Steely Dan teases throughout the night from his guitar.  In addition to toying with some Steely Dead jams, we also played a nice Time/Breathe medley and finished up this Pink Floyd segment with a Comfortably Numb.  We also got a Beatle song in or two during the Trsiter portions.

While our only guest MB arrived toward the end of the Trsiter part of the night, he was able to enjoy a nice formidable Playing -> Uncle John’s à Playing combo that was fairly extensive.  After hearing the quality of this piece of music Michael asked Andy how he doesn’t show up to every Deadstein jam just so he could be part of this musical experience.  We finished Trister’s jam with a hot Music Never Stopped and bid him a good-night.  He left hauling his guitar, water bottle, effects tray and his banjo on his body, hoping his car would be in the illegal spot he left it in.  The cool thing is, on his way out he held the door for Larry who was just heading in, and no one got hurt.

LLB and MB in Elevator Short on the Way Out.

During the transition between Andy and Larry I decided to start up a very short Garband segment.  Scott called for the Crazy Love and I began playing and singing it.  We haven’t done this since the Terez days and it was a stretch for me.  Speaking of which, halfway through it Larry entered the room and made a grand entrance by singing a few of the verses to close out the song.  Wow!  After this, the playing got a bit more serious with Larry as we did a pretty good Birdsong.  This was followed by a Looks Like Rain that blew Michael away as he thought my life’s experience of listening to Bob and the band helped my take on the role of Bobby for that song.  I think he exaggerated quite a bit, but nevertheless, his exuberance towards it all was uplifting.  We did the infamous Crack of My Ass (Wharf Rat) with Larry, which is something we haven’t heard in a decade and closed out with the Brokedown Palace where we all shared verses and leads.

‘Twas a very interesting night for Deadstein, once again showing why you need to go to every jam.  Until we jam again, Freak Out.

To hear the MP3s of the night go to:

http://www.deadstein.com/audio/04-28-10/

Jam – 2010-04-20 – Carroll’s

Give me 5, we’re still alive.
It ain’t no luck, we live to suck.

On a Tuesday night Deadstein got together in the larger studio and enjoyed a new configuration, room setup wise, and had a few good songs to put under its belt. On this night we only had the five of us without any guests whatsoever. The bongos were there, ready to be played, but there was no one there to play them.

We opened with the Aiko-Aiko, Jack Straw and played big meaningful songs, as Kevin likes to describe them, throughout most of the night. This included Ramble on Rose, Loser and a Birdsong, Let It Grow, Deal to end the first set at 10:00.

After 10:00 Kevin made his quick phone call home and we were ready for a set 2 which also included some big combinations including a Here Comes Sunshine –> Wheel –> I Need a Miracle –> Bertha. We played another few songs in the middle there and ended the night strongly with a Uncle John’s Band –> Morning Dew. While we botched the intro to the 1st lead of the Morning Dew, the rest of the song was pretty good.

If nothing else, we got lots of good playing in with lots of big songs. I think we did well for the most part. An altering tempo on the Dark Hollow in the first set was no good and the first lead of the Morning Dew was a total mess but short of that we had more good moments that bad ones.  Alan was having gremlins electronically throughout the night.  Scott started of not liking his drum kit but it grew on him by the end of the night.  Kevin, Rich and I were pretty much status quo.

The real question is what happens next week when we be playing in a much different circumstance. Until then, Freak Out if you can.

Previous Older Entries Next Newer Entries