Jam – 2010-06-01 – Carroll’s

This was a week where we had a bunch of problems and the music probably displayed our issues.  First of all we were like amplifier whores this week, blowing any PA we could get our mouths on.   We went through 1 PA, 2 amps and probably could have easily blown the 3rd replacement PA if we didn’t show a little restraint.  There was something wrong in the room this week.  Maybe it was Liza Minelli who rehearsed at Carroll’s earlier in the day.  It was a tough day, all of 55th Street was a Tow-Away-Zone due to paving and lo-and-behold, when we left there was actual paving going on, so if someone did park on 55th, they would have been towed.  When not getting towed is the best part of the night you know the jam has issues.

We got through the jam somehow, even though Alan left a little early to leave us to our own devices, which I can’t blame him for, there was obviously nothing worthwhile going to happen in the room that night. It was going downhill pretty quickly from the get-go.  A good thing is we had Rob and Miriam join us so at least we had some happy guests other than the ubiquitous and babbling Scott Bayer.

If you want to hear the music, and I suggest everyone avoid this week, it is at:
http://www.deadstein.com/audio/06-01-10/

Jam – 2010-05-25 – Carroll’s

This was a week that we jammed in the big studio with the Live-Five setup including Alan on rhythm, me on lead, Rich, Kevin, who is still using the Roland dual amp set up and Scott on drums.  Kevin has new round-wound strings on his bass, may be they were flat-wound, I forget, but they were new strings.   We did the Here Comes Sunshine into Bertha to start the evening and I thought Kevin with his new string was right there and on his game.  That only lasted so long.  Eventually during the big Estimated ->Eyes combo I notice Kevin slipping into oblivion and decided to end the Eyes of the World with a straight forward rocking Not Fade Away à Going Down the Road.  It may have worked a little but playing after that whole combo seemed a bit more laborious despite the Jolt gum Kevin was chewing.  The other big combo we did was the Help Slip Franklins which had its moments both up and down.

With it being Bob Dylan’s birthday, we attempted to end the evening with a Like a Rolling Stone which was not very good.  We also did a Good Morning Little School Girl in the 1st set where Rich instructed us to jam in A during the middle of the song jam.  After the song was over Rich was quite dismayed as he heard Kevin playing the song structure in his head in opposition to his previous instructions.  To be honest with you I don’t think I heard Kevin playing the 4 or the 5 to the A jam so I guess we will have to wait for the recordings to hear what really went on.

We also did a bit of a Beatle segment in the middle of the night which was highlighted by the Savoy Truffle.  The Here There Everywhere wasn’t too good.  Finally, there was only the lone Scott Bayer as our guest for the night who was pounding the skins on the bongos during a song or two.  Until we freak out again next week, Freak Out and enjoy the holiday week-end.

If you want to hear the tunes from the night, go to the following folder, or just click and pay the song.

http://www.deadstein.com/audio/05-25-10/

Jam – May 19, 2010 – Carroll’s

Wednesday, May 19, 2010 brought us nice weather, little traffic and a Grateful Dead anniversary that is worth playing.  Yup, 33 years ago Jerry and the boys played their phenomenally interesting show at the Fox Theater in Atlanta with one of the great post space portions of a show I know of.  While it would have been nice to play the entire show it wasn’t gonna happen.  We had played a couple of the first set songs over the past couple of weeks and didn’t want to repeat them.  Additionally, Alan had somewhere to go in the middle of the jam for 45 minutes or so and that broke the jam into three distinct segments.

The first part of the night we played a few of the first set songs including the opening Promised Land Sugaree.  We were having PZM mic issues during the first songs and PA-EQ for a song thereafter so the night got off to a slow start with lots of warble in the room.  These issues eventually corrected themselves, we got a new PZM and tweaked the EQ and by the end of the night the system sounded pretty good.  We also played the El Paso and Loser from the 1st set before Alan left.

During Alan’s departure we played a few Garband songs including That What Love Will Make You Do, When the Hunter Gets Captured b the Game and the Dear Prudence.  When Alan got back we played a Row Jimmy from the first set.  I think we worked out the structural issues and got it right for what may be the first time.  Following that we tried the seldom pulled out, You Ain’t Going No Where which had a nice beat to it.  Since we didn’t have lyrics to that song I used my iPad to look up the lyrics and ironically and unbeknown to me I found a website that had mock lyrics set to that song which I sang for the first two verses until I realized I was reading and singing fake lyrics.  Fortunately, I was able to quickly use the iPad on my music-stand and Safari’s backspace to find a different site with the correct lyrics during a keyboard lead.  That was crazy stuff that was circulating my mind as I was going through all of this.

For the rest of the night beginning at 10:30 p.m. we figured we would tackle the entire second set of the Fox show.  We did the opening Samson and Ramble on Rose and then embarked on the combination of Playing, Uncle Johns, Terrapin, Drums, Space, Wheel China Doll and closing with Playing.  We did this combination of songs for the most part without stopping and even transitioning nicely between tunes.  We got done with the whole thing by 11:45, just enough time for me to sing a closing It’s All Over Now Baby Blue.  This was a nice night-cap on the evening.

I have always loved the Fox 5-19-77 show and this night was an opportunity to pay it the homage it so richly deserves.  Until the next time we play-to-pay homage to the Grateful Dead and on behalf of all the folks from Deadstein, Freak Out!

Jam – 2010-05-12 – Carroll’s

Drawn on the iPad by Kevin using Art Studio

Wednesday night and the 5 of us assembled at Carroll’s to do what we do which is to do our best jamming the music of the Grateful Dead. We opened with the Bertha and closed with the Weight and had a lot of substance in between.

The were plenty of squeals in the room. The PZM had a 12k dog style type of badness to it but it didn’t prove to be too much of an issue as the night went on. Kevin’s combo of JC-120 and old school Ampeg had a pulsating squeal to it which turned out to be Scott Bayer’s cell phone. Lastly, Alan also had a squeal in his rig which caused him to pull on of his effects out of his Arsenal. Scott Bayer turned out to be our only guests.

We started strong and drive through the finish line though the Weigh was like a weight around us as we approached the midnight finish line. We had some good substance prior to all of that including an early Scarlet Fire and a nice combo of He’s Gone –> Other One –> Smokestack Lightning –> Other One –> Stella Blue. We a pretty on top of it So Many Roads which is surprising considering it was late in the night, we hadn’t played it in a long time and I never sang it before.

For the second week in a row, this week’s art work is courtesy of Kevin who created it with my iPad during the jam. Until next week, Freak Out.

If you want to hear what we played go to:

http://www.deadstein.com/audio/05-12-10/ or just listen to the MP3s below:

Kevin want a cracker or a dozen

Jam – 2010-05-05 – Carroll’s

This was a Wednesday night jam for us this week.  The weather was beautiful and there was no reason not to have a good jam.  Lou Reed was rehearsing next door and even though he wasn’t a guest, we shall treat him as such.  The only other guest we had for the night was Scott Bayer who was all hyped up playing a mean bongo.  He did manage to contact Carol on the cell phone and we played a Werewolves of London for her.

Short of having no real guests we just had the typical 5-man rotation with me on lead, Alan on rhythm, Rich on keys, Kevin on bass and Scott on the skins.  Kevin got Carroll’s to get him a different amp setup tonight including a Roland JC-120 for the high end and some other amp for the lows.  He’ll have to comment on its sound compared to the normal sound he guest.  The PZM under the piano was squealing so Chris from Carroll’s put in the Beta 57 under the piano and I thought it sounded pretty good.

The real new news for the night was the introduction of my new iPad which I used in lieu of my book.  It worked very well as a PDF display showing score in very crispy and zoomable detail.  It will all be great until it spills over and cracks, like Kevin’s books fell over at least on 2 occasions throughout the night.  The artwork above was created by Kevin at the jam using one of my new iPad art apps.  There is alot of good and fun to come from that machine.

I think my hilight of the night that I can remember was the Same Thing.  I like mine and Alan’s leads on that thing.  The big mistake for me was to attempt the Sing Me Back Home.  I was no where close on that thing as it was a total disaster.  The rest of the night was hit and miss bt at least we always have next week to hit or miss again.  Until then, Freak Out.

To hear the MP3s from the night’s songs go to the following link or just click the MP3s below:

http://www.deadstein.com/audio/05-05-10/

Jam -2010-04-28 – Carroll’s

This was like an old timers jam for former Deadstein lead guitarists.  While we were expecting to jam with Andy Trister, as he was scheduled to play with us on this Wednesday night, but the real big surprise was the return of Larry Brent, the original Deadstein lead guitarist.  From my research, it appears as if early 2001 was the last time Larry had played with us.  This if after his long “Ihateus” or should I say “hiatus?”  It was quite an unexpected surprise and our four or five songs we played with Larry were all pretty good, especially considering he was playing with us for the last 45 minutes of the night, traditionally Deadstein’s weakest time.

With Alan playing rhythm over the past several months and me taking over the lead guitar role, I haven’t stepped into Bob’s shoes for quite some time.  I spent all night, with the exception of one or two leads, playing Bob guitar and to be honest with you, as much fun as the Jerry stuff has been, it was very refreshing to relax and do what I do best.  Playing last night seemed effortless to me as I was relaxed and confident in my approach.    Not only was the playing good with Larry B, it was also good during the Trister moments.  What’s not to like about the Deadstein experience?

Scott felt like the music was a bit stale and sterile at the beginning of the night and he felt it wasn’t until we played the Help->Slip-> Franklins that we seemed to gel.  We were a bit tentative early on and pretty quiet throughout the evening but it wasn’t bad at all.  I thought the Shakedown opener was fairly solid for a Deadstein Shakedown Street, especially the final jam, which felt authentic as opposed to the traditional Deadstein jam we gravitate to during a Shakedown Street.  We did the Run for the Roses to celebrate the Churchill Downs Kentucky Derby which occurs this weekend.  Also with Andy we played the Let Spend the Night Together which is in the new supplement book which gave us the ability to play the song.

We also were straying from our Deadstein/Grateful Dead roots as Trister was all Steely Danned out for some gigs he was preparing for.  We were hearing Steely Dan teases throughout the night from his guitar.  In addition to toying with some Steely Dead jams, we also played a nice Time/Breathe medley and finished up this Pink Floyd segment with a Comfortably Numb.  We also got a Beatle song in or two during the Trsiter portions.

While our only guest MB arrived toward the end of the Trsiter part of the night, he was able to enjoy a nice formidable Playing -> Uncle John’s à Playing combo that was fairly extensive.  After hearing the quality of this piece of music Michael asked Andy how he doesn’t show up to every Deadstein jam just so he could be part of this musical experience.  We finished Trister’s jam with a hot Music Never Stopped and bid him a good-night.  He left hauling his guitar, water bottle, effects tray and his banjo on his body, hoping his car would be in the illegal spot he left it in.  The cool thing is, on his way out he held the door for Larry who was just heading in, and no one got hurt.

LLB and MB in Elevator Short on the Way Out.

During the transition between Andy and Larry I decided to start up a very short Garband segment.  Scott called for the Crazy Love and I began playing and singing it.  We haven’t done this since the Terez days and it was a stretch for me.  Speaking of which, halfway through it Larry entered the room and made a grand entrance by singing a few of the verses to close out the song.  Wow!  After this, the playing got a bit more serious with Larry as we did a pretty good Birdsong.  This was followed by a Looks Like Rain that blew Michael away as he thought my life’s experience of listening to Bob and the band helped my take on the role of Bobby for that song.  I think he exaggerated quite a bit, but nevertheless, his exuberance towards it all was uplifting.  We did the infamous Crack of My Ass (Wharf Rat) with Larry, which is something we haven’t heard in a decade and closed out with the Brokedown Palace where we all shared verses and leads.

‘Twas a very interesting night for Deadstein, once again showing why you need to go to every jam.  Until we jam again, Freak Out.

To hear the MP3s of the night go to:

http://www.deadstein.com/audio/04-28-10/

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